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Many years later, in fact precisely 60 years since the master of design Arne Jacobsen created the Grand Prix in 1957, the Japanese studio captained by Oki Sato is bringing the historic Danish company back to solid wood. This process is much more than a simple attempt to fuse Nordic aesthetics with oriental stylistic purity: it provides a modern take on all of the brand’s artisan processing techniques. In addition to the formal elegance of an object that easily blends in with all home and contract environments, the armchair is also comprised of twenty-three wooden elements, meticulously assembled by hand. Available in black durmast, natural oak and beech, it is made with nine layers of veneers. Then there is the frame which, with its slight slope, embraces the body

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